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There can fila in australia be little doubt that this is one of the best dance music albums ever made. Released in 1994, the debut album from Fila Brazillia was launched into a world before big beat and trip hop took hold, but after the first flush of Orb and ELF-inspired ambient. Coming after the initial chunky Leftfield-style house of the first Pork releases, but before the spliff took hold and Pork got stuck into their current down  n' easy groove we now all love so well, this album is truly unique.

All the more surprising, then that the album is made by a bunch of stoners from Hull who have never been to the White Island. Any Fila Brazillia album is worth buying, but if you can manage to track this down, this alone it is worth its weight in lbizan gold.Genres come, buzzwords go and styles fizzle and fade, but one thing that has fila shoes for women remained constant in dance music's perpetual shape-shifting is Fila Brazillia.  Retrospective' represents the very best of a musical partnership deserving a well-overdue pat on the back for its longevity and ability to give competition the slip by remaining elusively hard to classify.

Unlike the stadium breaks of those who went overground fila women's shoes quickly circa 1997, Brazillia kept their music loose and free of gimmicks  in that, they were true siblings to the electronic listening music championed in the '90s by Warp.UK duo Fila Brazillia are producers Steve Cobby and Dave McSherry, having kept on going after collecting enough tunes after their April 2004 release "The life and Times of Phoebus Brumal" their latest release is their tenth album over as many years.

Adrift Amidst Les Odalisques has a much dreamier feel to it, like sunlight dappling through leaves, and the Fila boys lay a gentle groove on top. Bill Nelson's guitar comes fila sneakers to the fore on "The Airless Time," like a howl of pain, with Budd's piano following beside. "Blue Locus," the final track, is almost a reflection of the opening track, but one that opens up into sparkles. Beguiling, and a fascination diversion for the Fila boys.Considered a pre-cursor to the downbeat and trip hop movement, Fila Brazillia have explored the relationship between organic instrumentation and electronic sensibility throughout the 90's arriving logically at Jump Leads .

As pioneers of a post-punk northern England musicality, their journey has been defined simply by their musical insight rather than genre specification. Dub rhythms, house beats, drum n' bass syncopation, ambient chords, and funk arrangements have all found their way into Fila's sound without falling into the clichéd territory of  eclecticism'.For 10 years, Cobby and fellow Fila Dave McSherry have been creating diverse, adventurous sounds. Spacious, chilled and always highly musical, their six albums for Pork Records put the tiny Hull, UK , label on the map by surprising and delighting heads and hearts around the globe.

And they did this without interviews, press photos or advertising  no small feat in the pre-international  net-work days.See, the thing is that Fila Brazillia remember that there have been fila white shoes many periods in history where pop music has managed to be both challenging and popular. It's their shared sense of hope, history and humour that inspired Fila to form their own twentythree label to release album seven in 1999, and has carried them through to the creation of Jump Leads, due out early in 2002.Same thing goes with Cobby and Fila's approach to DJ ing. Absorb their new Another Late Night mix CD  which moves beautifully through the sounds of Marvin Gaye, Mr. Scruff, the Beta Band, Brian Eno, Kelis and others  for a taste.